The Importance and Evolution of Character Design in Chinese Animation
DOI:
https://doi.org/10.32890/jcisc2025.4.3Keywords:
Animation characters, Chinese animation, Innovative developmentAbstract
In animation creation, animation character design occupies an extremely important position. To impress the audience, an animated film can't rely entirely on a good story, but also on molding excellent animated characters. Its designers can use a variety of artistic expressions to shape the characteristics of animation character design, such as the character's expression, clothing, hand design, and so on. So that it has a distinctive personality, unique appearance, and unique action characteristics, to leave a deep impression on the audience. Through literature analysis and theoretical integration, the importance and evolution of character design in Chinese 3D animation are explored, and how traditional culture is integrated into modern animation character design is analysed. The results show that combining traditional culture and animation design can enhance the cultural value and market competitiveness of Chinese animation.
References
Bu, H. (2022). A study of mythical space reconstruction of Chinese myth-retelling animation film in recent years. China Film Art Research Center. https://doi.org/10.32890/jcisc2025.4.3
Chang, Q. (2017). Research on artistic expressions of audio-visual language in Monkey King: Hero is Back. Xi’an Polytechnic University.
Chen, C. (2014). Study on the role of animation role of character. Wuhan University of Technology. https://doi.org/10.32890/jcisc2025.4.3
Chen, G. (2023). Analysis on the classified production and development trend of animation under new media art. Shoes Technology and Design, 3(04), 27–29. https://bitly.com https://doi.org/10.32890/jcisc2025.4.3
Chen, S., & Sun, J. (2023). One hundred years of Chinese animation in Yao-Chinese Folktale. ZHONG GUAN CUN, 2023(02), 78–79. https://bitly.com
Chen, Y., Jiang, F., & Hu, Z. (2021). Audio-visual presentation and effect analysis of occasional animation--Taking "Daughter" as an example. Art & Design, 2021(08), 108–109. https://doi.org/10.16272/j.cnki.cn111392/j.2021.08.024
Fang, B. (2021). Analysis on the evolution of types and themes of Chinese animation from 1949 to 1990. Movie Literature, 2021(01), 39–43. https://bitly.com https://doi.org/10.32890/jcisc2025.4.3
Hao, H. (2012). Research on traditional painting elements in character animation modeling of Chinese myths and legends. Northwest University. https://doi.org/10.32890/jcisc2025.4.3
Jiang, R. (2023). The new construction of the creative concept of contemporary domestic animation music from the historical perspective. Journal of Huangshan University, 25(01), 119–123. https://bitly.com https://doi.org/10.32890/jcisc2025.4.3
Jin, X. (2021). Analysis and research on the elements of classical animation character design. Today's Mass Media, 29(09), 123–126. https://bitly.com https://doi.org/10.32890/jcisc2025.4.3
Li, Z. (2021). Research on the application of Chinese traditional decoration elements in animation character design. Harbin Normal University. https://doi.org/10.32890/jcisc2025.4.3
Liu, G. (2022). Design method of visual dynamic elements in animated short film. Drama and Film Journal, 2022(05), 29–31. https://bitly.com https://doi.org/10.32890/jcisc2025.4.3
Liu, J. (2022). Research and application of traditional decorative patterns in paper cutting animation. Chengdu University. https://doi.org/10.32890/jcisc2025.4.3
Liu, X. (2022). Application of 3D Max software in film and television animation production. Journal of Zhengzhou Railway Vocational and Technical College, 34(04), 110–112. https://doi.org/10.13920/j.cnki.zztlzyjsxyxb.2022.04.016
Ma, Y. (2021). A study of Chinese animation plays. Nanjing University of the Arts.
Ning, J. (2014). Research on the application of New Year picture elements in animation character design. Shenyang Normal University. https://doi.org/10.32890/jcisc2025.4.3
Shi, X., & Jiang, S. (2022). Role design of film and television animation from the perspective of local culture. YI HAI, 2022(03), 71–74. https://bitly.com
Tang, J. (2022). Study on the design and application of auspicious patterns in ink painting animation Song Dynasty. Chengdu University.
Wan, S. (2020). An analysis of the application of Chinese folk patterns in stop motion animation: Based on the stop motion animation short film "Made Umbrella" design as an example. Nanchang Hangkong University.
Wan, W. (2022). Research on character building and technique expression of animation character modeling design: Taking Ne Zha as an example. Nanchang University. https://doi.org/10.32890/jcisc2025.4.3 Wang, Y. (2022). Research and application of dynamic display design of logo. Shanghai Normal University.
Wei, Y. (2021). A study of Masaaki Yuasa’s animation character design from the perspective of ugliness. Jiangnan University. https://doi.org/10.32890/jcisc2025.4.3 Xinhua Daily newspaper(Ed.) (2011). China's annual animation output of 260,000 minutes in 2011 was criticised for high quantity and poor quality. Xinhua Daily newspaper. https://www.chinanews.com/cul/2012/0504/3864263.shtml https://doi.org/10.32890/jcisc2025.4.3
Xie, Y., & Li, M. (2022). Innovative application of three-dimensional animation in digital media art design. Shoes
Technology and Design, 2022(19), 105–107. https://bitly.com https://doi.org/10.32890/jcisc2025.4.3
Xue, H., & Guo, Y. (2021). A case study of online educational animation under the background of digital culture. Culture Industry, 2021(31), 67–69. https://bitly.com https://doi.org/10.32890/jcisc2025.4.3
Yang, X. (2016). The research of Chinese style animation characters. Fuzhou University. https://doi.org/10.32890/jcisc2025.4.3
Yuan, X. (2018). Six months of exports of $ 90 million, Korean animation how to do overseas. Sandwiches. https://www.jiemian.com/article/2249902.html https://doi.org/10.32890/jcisc2025.4.3
Yang, Y. (2021). A study of character reinvention in Chinese mythology-themed animated film. Chengdu University. https://doi.org/10.32890/jcisc2025.4.3
Yang, Y., & Deng, M. (2022). The value and application of digital media art in film and television animation. Media Forum, 2022(16), 64–66. https://bitly.com
Yu, W. (2020). Research on character characterization in feminist animation. Hubei Institute of Fine Arts.
Yu, Y. (2023). Research on the audience demand and development strategy of animated film. Movie Literature, 2023(03), 82–86. https://bitly.com https://doi.org/10.32890/jcisc2025.4.3
Zhang, L. (2021). Analysis on the practical application of Chinese traditional art modeling elements in animation character design. Art and Design, 2021(09), 108–110. https://doi.org/10.16824/j.cnki.issn10082832.2021.09.028
Zhang, W., & Wei, W. (2019). A probe into the application of animation audio-visual design elements in Japanese animation works. Industrial Design, 2019(02), 74–76. https://bitly.com https://doi.org/10.32890/jcisc2025.4.3
Zhang, X. (2022). Research on the image creation of Chinese traditional mythological characters in animated characters. Chengdu University.
Published
Issue
Section
License
Copyright (c) 2025 Journal of Creative Industry and Sustainable Culture

This work is licensed under a Creative Commons Attribution 4.0 International License.
How to Cite
Research impact
Harvested 2026-09-08Counts differ between services because each indexes a different body of literature. None of them is the whole picture.


